Jade Cup with Chinese Inscription
Unknown Mughal Artist
On View: Asian Galleries, Arts of South Asia, 2nd floor
Gift exchange, tribute, the spread of religion, and overland as well as maritime trade were major transmitters of motifs, designs, and techniques between
China and the Roman Empire, Iran, and India. Primary goods, such as medicinal herbs, spices, animals (especially horses), animal products, ores, and
metals traveled east to China, while silk products, ceramics, metal wares,
paper, printed texts, and mint coins traveled west.
The Chinese Qianlong
reign mark inscribed on the base of this carved jade cup produced in Mughal
India testifies to the great distances some objects traveled over space
and time and how they belonged to different owners at different times. The
cup's shape may have derived from similar objects produced in Iran under the
Timurids (1370–1507), while the acanthus motifs on its shoulders and handles
recall India’s contact with Europe under the Mughals (1526–1858).
mid 17th century
Qianlong reign mark
at base: 3 1/4 x 2 1/8 in. (8.3 x 5.4 cm) (show scale)
Qianlong reign mark (1736-1795) on base
Inscription of 4 characters in center of base, reading "Qianlongnian zhi" (Made in the Qianlong Era)
Gift of Mr. and Mrs. Alastair B. Martin, the Guennol Collection
Small translucent dark green jade jug or jarlet covered with acanthus leaf relief decoration around shoulder and lower part of body over a repeated vertical stripe design on neck and body. Two curved handles in the shape of a downturned acanthus bud. Design on neck is contained in 4 over-lapping petal shapes. Squared-off circular foot contains incised mark of Qianlong (1736-1795). Branch and bud design on sides at handle.
Jade vessels carved in this style are believed to have been made in India in the 17th century and then collected by the Chinese emperor Qianlong in the 18th century. They were highly influential in the jade-carving workshops of China, where a "Hindustani" style of jades were produced in the 18th and 19th centuries, borrowing elements of form and surface decoration from Indian traditions. It can be difficult to discern the Indian prototypes from some of the better Chinese imitators, but this piece is generally thought to be Indian because of its extremely fine, thin carving, the naturalism of the acanthus-bud handles, and the mottled, olive-green color of the jade (preferred by Indian connoisseurs but not usually appreciated by the Chinese).
Condition: Some surface abrasion on interior and pitting on rim. Natural crack at one side of body near handle. Otherwise good.
Unknown Mughal Artist. Jade Cup with Chinese Inscription, mid 17th century. Carved Jade, at base: 3 1/4 x 2 1/8 in. (8.3 x 5.4 cm). Brooklyn Museum, Gift of Mr. and Mrs. Alastair B. Martin, the Guennol Collection, 78.7. Creative Commons-BY (Photo: Brooklyn Museum, 78.7_PS9.jpg)
overall, 78.7_PS9.jpg. Brooklyn Museum photograph, 2015
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.