Dhanyashri Ragini, page from a dispersed Ragamala series
In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again.
Like many ragini paintings, Dhayashri shows a woman who misses her beloved. Here, the woman (with green skin) paints a picture of her absent lover, hoping that this will magically conjure him up. Her friend sits with her, apparently berating her for wasting her time. Peacocks often appear in images of lonely women because their cry sounds like that of a woman in pain.
Opaque watercolor, silver, and gold on paper
sheet: 7 5/16 x 6 in. (18.6 x 15.2 cm)
image: 5 7/8 x 4 1/2 in. (15.0 x 11.6 cm) (show scale)
Verso, Inventory notation. In Sanskrit, in Devanagari script; Ragini Dhanpashari--20 the work of Murad.
In fountain pen ink: Samvat 1771.
In pencil: 1714
Library stamp of H. H. Maharaja Bikaner
This item is not on view
Murad (?). Dhanyashri Ragini, page from a dispersed Ragamala series, ca. 1695. Opaque watercolor, silver, and gold on paper, sheet: 7 5/16 x 6 in. (18.6 x 15.2 cm). Brooklyn Museum, Anonymous gift, 81.192.5 (Photo: Brooklyn Museum, 81.192.5_IMLS_SL2.jpg)
overall, 81.192.5_IMLS_SL2.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.