On View: Asian Galleries, Southwest, 2nd floor
This Buddha from Myanmar was constructed using cloth soaked in a plant-based resin called lacquer. To create the basic form of the figure, the cloth was draped and shaped over a clay model or wood armature and was allowed to dry to a stiff consistency before the interior support was removed. Additional lacquer was added to the surface and sculpted to form details. After it was painted in gold, this smooth, lightweight material could mimic much heavier, more expensive metal sculptures.
Lacquer and gilt
25 1/2 x 17 1/2 x 13 1/2 in. (64.8 x 44.5 x 34.3 cm) (show scale)
Gift of Dr. and Mrs. George Liberman
Buddha, 17th-18th century. Lacquer and gilt, 25 1/2 x 17 1/2 x 13 1/2 in. (64.8 x 44.5 x 34.3 cm). Brooklyn Museum, Gift of Dr. and Mrs. George Liberman, 83.188. Creative Commons-BY (Photo: Brooklyn Museum, 83.188_transp4210.jpg)
overall, 83.188_transp4210.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.