The Prodigal Son, Large Model (L'Enfant prodigue, grand modèle)
This figure appears several times in The Gates of Hell, and the head also reappears, both alone (see Head of Sorrow, nearby) and attached to other bodies. Its precarious pose and distorted physiognomy conjure a variety of moods, from despondency and helplessness to yearning and supplication. Like many of the writhing bodies and anguished faces created for The Gates of Hell, this figure’s extreme pose—interpreted as a depiction of internal suffering—may derive in part from Rodin’s knowledge of medical illustrations of the convulsions and contortions characteristic of the condition then known as hysteria.
This work has been exhibited under other titles but is commonly called The Prodigal Son, after the biblical parable in which the younger son of a rich man squanders his fortune, suffers deprivation, and ultimately realizes his foolishness and returns to beg his father’s forgiveness.
late 1880s, cast 1969
54 3/8 x 35 1/2 x 28 3/4 in., 218 lb. (138.1 x 90.2 x 73 cm) (show scale)
Back, base, lower edge: ".Georges.Rudier./Fondeur. Paris."
Back, base, lower edge: "© by Musée Rodin 1969"
Top of base, in front of proper left foot: "A. Rodin"
Gift of the Iris and B. Gerald Cantor Foundation
This item is not on view
Auguste Rodin (French, 1840-1917). The Prodigal Son, Large Model (L'Enfant prodigue, grand modèle), late 1880s, cast 1969. Bronze, 54 3/8 x 35 1/2 x 28 3/4 in., 218 lb. (138.1 x 90.2 x 73 cm). Brooklyn Museum, Gift of the Iris and B. Gerald Cantor Foundation, 84.75.4. Creative Commons-BY (Photo: Brooklyn Museum, 84.75.4_SL1.jpg)
overall, 84.75.4_SL1.jpg. Brooklyn Museum photograph
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