Top Part of Walking Stick
Egyptian, Classical, Ancient Near Eastern Art
ca. 1539-1292 B.C.E.
Greatest diam. 1 1/4 x 17 5/8 in. (3.2 x 44.7 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Top Part of Walking Stick, ca. 1539-1292 B.C.E. Wood, pigment, Greatest diam. 1 1/4 x 17 5/8 in. (3.2 x 44.7 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.278E. Creative Commons-BY (Photo: , 37.1833E_37.277E_37.278E_glass_bw_SL1.jpg)
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Top part of walking stick belongign to a man perhaps named Tety. Knob at the top shows traces of a white circle of paint in the center. Below the knob are nine, wide horizontal bands, one separated from another by four thin strips of alternating black and white. The wide bands seem to have been decorated with vertical stripes of alternating black, red, white yellow. Below the ninth band is a somewhat narrower band still bearing traces of some pigmentation, and then four stripes of alternating black and white. Two columns of inscription.
Condition: The stick is broken slightly below the inscription. The traces of paint give enough clues to re-establish the patterns. Chipping in places has made reading certain signs problematic.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.