Fukagawa Susaki and Jumantsubo, No. 107 from One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
This view looking northwest from Fukagawa Susaki, a spit of land along Edo Bay, toward Jūmantsubo, a tract of land named after its approximate area of one hundred thousand tsubo (about eighty acres), is one of the most dramatic designs of the series. Its appeal lies in the contrast between the powerful form of the eagle as it prepares to dive for prey and the desolate wintry marshes below. As in other views devoid of people, there is still a pervasive human presence—in the roofs huddled to the left, in the poles of the lumber-yards beyond, and, above all, in the lone wooden bucket floating at the edge of the bay, surrounded by water birds on which the eagle seems to have its eye.
5th month of 1857
Edo Period, Ansei Era
Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm)
Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm) (show scale)
Publisher: Shitaya Uo Ei.
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Fukagawa Susaki and Jumantsubo, No. 107 from One Hundred Famous Views of Edo, 5th month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.107 (Photo: Brooklyn Museum, 30.1478.107_PS1.jpg)
overall, 30.1478.107_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This print is one of the three most often cited as favorites in the series, along with the Rain at Ohashi (print 58) and the Foxfires at Oji (print 118). There is a particular appeal in the powerful form of the eagle as it prepares to dive for prey in the wintry marshes below. The back of the eagle is enhanced with glinting mica and the three claws seen here are coated in shiny gloss. In the distance is the snow-capped form of Mount Tsukuba. Fukagawa Susaki was a portion of land along Edo Bay that had a popular Benten shrine at the tip and that also offered excellent shellfish gathering at low tide in the spring. The view here is from Fukagawa Susaki toward Jumantsubo, a large tract of land that corresponds to the present Senda and Sengoku 2-3 chome neighborhoods in Koto Ward. This area was reclaimed from the marshes in 1723-1726 and named after its approximate area. In Hiroshige's time it was occupied in part by one of the suburban daimyo estates.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.