Decorative Arts and Design
On View: Luce Visible Storage and Study Center, 5th Floor
1 1/8 x 2 5/8 x 2 5/8 in. (2.9 x 6.7 x 6.7 cm) (show scale)
Scratched on base: "5256 [unclear, could be '5286']"
Bequest of Laura L. Barnes
Salt cellar, opalescent or "Favrile" glass. Wide circular mouth with slightly cylindrical lip; sloping, rounded shoulders; slightly pointed body; lower section tapers in at considerable angle. Lower part of body has subtle suggestion of ribbing. Metallic surface wash forming changeable hues of amber, purple, and gold.
Tiffany Studios (1902-1932). Salt Cellar, ca. 1900-1920. Opalescent glass, 1 1/8 x 2 5/8 x 2 5/8 in. (2.9 x 6.7 x 6.7 cm). Brooklyn Museum, Bequest of Laura L. Barnes, 67.120.89. Creative Commons-BY (Photo: Brooklyn Museum, 67.120.89.jpg)
overall, 67.120.89.jpg. Brooklyn Museum photograph, 2004
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.