Hunter on Horseback Attacked by a Mythical Beast
Arts of the Islamic World
On View: Asian Galleries, Southwest Lobby, 2nd floor
The lyrical paintings of this poetic cycle depict love stories from the classic works of celebrated Iranian poets, biblical and Qur’anic episodes, and hunting vignettes. Collectively, they stand as valuable documents of the original architectural formats and narrative programs of eighteenth-century domestic interiors. The reconstruction below illustrates how this painting cycle would have been displayed in its original context, which would have been a residence or a pleasure or hunting pavilion built during the Zand period (1750–1779). Such works were viewed as visual complements for poetry that the hosts, their guests, or storytellers would recite to entertain one another at convivial gatherings in intimate settings. Although the compositions of these works are derived from manuscript painting, their treatment differs considerably; the scale of the figures in relation to the background is larger, while the number of figures and degree of ornamental patterning is reduced.
Oil on canvas
mid 18th century
Bequest of Irma B. Wilkinson in memory of her husband, Charles K. Wilkinson
Prior to 1929, provenance not yet documented; before circa 1929, acquired by Ernst Emil Herzfeld of Tehran; before 1948, purchased from Ernst Emil Herzfeld by Charles K. Wilkinson of New York, NY; 1986, gift of Charles K. Wilkinson to Irma Bezold Wilkinson (Mrs. Charles K. Wilkinson) by inheritence; October 16, 1997, bequest of Irma Bezold Wilkinson to Brooklyn Museum.
Hunter on Horseback Attacked by a Mythical Beast, mid 18th century. Oil on canvas, 37 1/2 x 34 in. (95.3 x 86.4 cm). Brooklyn Museum, Bequest of Irma B. Wilkinson in memory of her husband, Charles K. Wilkinson, 1997.108.2 (Photo: Brooklyn Museum, 1997.108.2_IMLS_SL2.jpg)
overall, 1997.108.2_IMLS_SL2.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.