Small Figure of the Bodhisattva Sho Kannon (Avalokiteshvara)
On View: Asian Galleries, Southwest, 2nd floor
These small wood figures of Kannon, as Avalokiteshvara is known in Japan, are from a large group of standing images of the Bodhisattva that once belonged to a temple in Nara. Large displays of “One Thousand Kannons,” each with subtly different gestures, as seen in these two figures, celebrate the diverse roles of the Bodhisattva.
Wood, gesso, and paint
Brooklyn Museum Collection
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Small Figure of the Bodhisattva Sho Kannon (Avalokiteshvara), ca. 1100. Wood, gesso, and paint, 19 x 6 1/4 in. (48.3 x 15.9 cm). Brooklyn Museum, Brooklyn Museum Collection, 05.104. Creative Commons-BY (Photo: Brooklyn Museum, 05.104_front_PS9.jpg)
front, 05.104_front_PS9.jpg. Brooklyn Museum photograph, 2014
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Small figure of the Bodhisattva (Bosatsu) Bodhisat-Ratnapani, standing on a lotus pedestal. The figure holds the wonder-working jewel in the left hand. The right hand is raised in the abhaya mudra, the gesture which means "fearlessness or assurance". He wears a fillet around the base of his high chignon, sashes over the shoulders and across the chest, and a long skirt which reaches to the bare feet. The lotus pedestal rests on a three tiered base with scalloped edges.
The figure and pedestal are separate pieces, with the figure tenoned into the base. Both are of light brown, finely grained wood, probably kiri or paulownia. They were once covered with polychrome applied over a foundation of white gesso. This has now nearly all worn off, leaving only occasional traces of red, green and white gesso. Where exposed, the wood has darkened. The long sashes hanging from the shoulders have been broken at the waist. The shoulders and arms, which are separate pieces of wood, are cracked. The surface of the wood is worn in many places and is also scratched.
This statue came from the Kofukuji Temple in Nara and was presumably one of a great number of similar ones sold around the turn of the century by the temple in order to pay for certain repairs. It was the first identified as such by Mr. Langdon Warner of the Fogg Museum at a Collector's meeting of the Society for Japanese Studies in the winter of 1935-1936.
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