Silver, amethyst, chrysoprase, rhodonite, green quartz
16 7/8 x 9 7/8 x 3/4 in. (42.9 x 25.1 x 1.9 cm) (show scale)
Impressed on back: "Art Smith"
This item is not on view
Gift of Charles L. Russell
copyright transferred to Brooklyn Museum by Charles L. Russell
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Art Smith (American, born Cuba, 1917-1982). Ellington Necklace, ca. 1962. Silver, amethyst, chrysoprase, rhodonite, green quartz, 16 7/8 x 9 7/8 x 3/4 in. (42.9 x 25.1 x 1.9 cm). Brooklyn Museum, Gift of Charles L. Russell, 2007.61.4. Creative Commons-BY (Photo: Brooklyn Museum, 2007.61.4_PS2.jpg)
overall, 2007.61.4_PS2.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
A long, large asymmetrical necklace composed of a semi-circular wire neck piece and three, teardrop-shaped organic elements of varying size. Each element is set with red, purple and green or yellow oval-shaped, semi-precious cabouchon stones in silver collars, and is framed by conforming flattened wires. The smallest element is soldered to the neckpiece at top proper left, and a second connects to the neck piece at top proper right via a thin, bent wire clasp. The third element is suspended at center from the other two via small silver rings.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.