On View: American Art Galleries, 5th Floor, The United States on the World Stage, 1865–1930
Trained in Germany as a cabinetmaker, Daniel Pabst arrived in Philadelphia in 1849. There, he earned a reputation for carved Renaissance Revival furniture, characterized by classical motifs such as columns, capitals, and carved animal heads.
In the mid-1870s his style changed under the influence of English reform designers such as Christopher Dresser, who lectured in Philadelphia during the Centennial Exhibition in 1876. Pabst’s new work in the reform-minded, rectilinear Modern Gothic style incorporated abstracted interpretations of nature, as in the floral medallion on the lower part of this cabinet. The crisp silhouette of the piece reflects the new taste for precision that accompanied the greater use of the machine in the furniture industry.
Walnut and burl ash, painted glass
57 1/2 x 33 x 17in. (146.1 x 83.8 x 43.2cm) (show scale)
Bequest of Marie Bernice Bitzer, by exchange
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Daniel Pabst (American, born Germany, 1826-1910). Cabinet, ca. 1875. Walnut and burl ash, painted glass, 57 1/2 x 33 x 17in. (146.1 x 83.8 x 43.2cm). Brooklyn Museum, Bequest of Marie Bernice Bitzer, by exchange, 1990.9. Creative Commons-BY (Photo: Brooklyn Museum, CUR.1990.9_detail.jpg)
component, documentation, CUR.1990.9_detail.jpg
. Brooklyn Museum photograph, 2010
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Cabinet, walnut and burl ash. Overall rectangular form with canted front and side top edge. Immediately below is continuous burl ash frieze against a stippled darker ground with centered florette on front. Central door in three panels; below large square conventionalized floral design of burl ash cut back to reveal darker stippled ground; above pair of diamond-shape polychrome painted conventionalized floral panels in white, green, blue, red and black on gold ground beneath diagonal striated clear glass, with conventionalized half-florettes cut back to reveal darker stippled ground in each corner around glass insets. Below central door, narrow drawer with two carved octagonal pulls with florettes and carved conventionalized burl ash leaf frieze on drawer front. Projecting side stiles: large three-toed claw feet support turned columns with ebonized shafts and composite conventionalized capitals support squared members with deeply carved rosette and above vertical burl ash band of conventionalized leaves topped by a conventionalized tulip below frieze at top. Brass escutcheon keyhole.
CONDITION - Very good original condition. Before purchase cleaned and lightly polished by Vilmos Gruenbuam, 1401, Brooklyn, New York.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.