Arts of the Americas
"2467" in white pigment on piece.
This item is not on view
Riggs Pueblo Pottery Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Haak’u (Acoma Pueblo). Water Jar, 1868-1900. Clay, pigment, 11 1/2 x 13 in. (29.2 x 33cm). Brooklyn Museum, Riggs Pueblo Pottery Fund, 02.257.2467. Creative Commons-BY (Photo: Brooklyn Museum, 02.257.2467_bw.jpg)
overall, 02.257.2467_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Water jar with a prominent mid-body bulge and scalloped rim. Underbody is slipped red and separated visually from the body by two fine, dark brown lines. Mid-body and neck have sinuous leaf and parallelogram designs in dark brown on a white ground. The scalloped rim is dark brown. Inside neck is slipped orange, the rest is unslipped revealing a whitish body. White writing on side reads "2467," sticker on base reads "02.257.2467."
Condition: Culin card says "broken." Breaks in large part of shoulder and neck have been repaired. This section is considerably dirtier than the rest. Slight paint losses and surface abrasions on the body.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.