Arts of the Americas
When I'm doing my pottery I think of Mom [Marie Z. Chino] first, and that she could help me. I want to do like she does. She didn't need outlining, she just painted, and sometimes I do that now I know the design and I just do it.
-Grace Chino, quoted in Rick Dillingham, Fourteen Families in Pueblo Pottery (1994)
The Chino family, led by the matriarch Marie Z. Chino, was innovative in adapting the designs found on prehistoric pottery shards to modern pottery forms. Grace Chino here used a dazzling, closely lined black-and-white design on a new vessel form reminiscent of ancient Pueblo pots. The result is a form of abstraction that embraces tradition as essential to innovation.
15 x 36 3/8 in. (38.1 x 92.4cm)
diameter at top: 2 7/8 in. (7.3 cm) (show scale)
This item is not on view
Augustus Graham School of Design Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Grace Chino (Haak’u (Acoma Pueblo), 1929-1995). Vase, 1989. Clay, slip, 15 x 36 3/8 in. (38.1 x 92.4cm). Brooklyn Museum, Augustus Graham School of Design Fund, 1990.68. Creative Commons-BY (Photo: Brooklyn Museum, 1990.68_SL1.jpg)
overall, 1990.68_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Clay pot with overall dark brown and cream-white design except for bottom area which is undecorated cream-white. The Chaco Canyon stepped design decreases as it moves from the lower, bulbous body of the pot to the upper, cylindrical neck, giving the viewer the illusion of greater depth in space.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.