In the late sixties I was thinking about the triumph of the Cuban people over imperialism and U.S. dominance—the effort is here "crowned" (Corona). But Corona is also a famous cigar from Havana that is desired (and now missed) by affluent Yankees—so struggle, victory, and contradictions are part of the idea. I was working my way out of a more lyrical and abstract view of figuration at the time toward a more socially-politically oriented idiom, hoping to find a way to maintain a formally strong image. . . . This painting is in transition. . . . The form is evolving toward artistic and social relevancy. The painting has particular interest to me since it straddles these objectives and balances precariously, one foot in each world.-Robert Colescott (1992)
Acrylic on canvas
78 1/2 x 59in. (199.4 x 149.9cm)
frame: 79 1/4 × 59 3/4 × 2 1/2 in. (201.3 × 151.8 × 6.4 cm) (show scale)
Gift of Brooke and Carolyn Alexander
This item is not on view
Robert Colescott (American, 1925-2009). Havana Corona, 1970. Acrylic on canvas, 78 1/2 x 59in. (199.4 x 149.9cm). Brooklyn Museum, Gift of Brooke and Carolyn Alexander, 1991.270. © artist or artist's estate (Photo: Brooklyn Museum, 1991.270_SL1.jpg)
overall, 1991.270_SL1.jpg. Brooklyn Museum photograph
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