Synchromy No. 3
On View: American Art Galleries, 5th Floor, Beyond Borders and Boundaries, 20th and 21st Centuries
Although this abstract composition bears many traces of European Cubism—angular shapes, fragmented forms, and multiple perspectives—it asserts the primacy of color as a key component of space and form. In 1912 Stanton Macdonald-Wright, together with the painter Morgan Russell, coined the term Synchromism to describe abstract compositions primarily concerned with the rhythmic use of color—a phenomenon they likened to a symphony’s use of sound. Synchromism was one of many diverse approaches to abstraction that flourished in the Americas and Europe in the 1910s, radically departing from traditional vocabularies of painting and sculpture.
Oil on canvas
39 x 38 in. (99.1 x 96.5 cm)
frame: 43 x 42 x 2 in. (109.2 x 106.7 x 5.1 cm) (show scale)
Signed upper right: "S. Macdonald Wright / 1917"
Bequest of Edith and Milton Lowenthal
Stanton Macdonald-Wright (American, 1890-1973). Synchromy No. 3, 1917. Oil on canvas, 39 x 38 in. (99.1 x 96.5 cm). Brooklyn Museum, Bequest of Edith and Milton Lowenthal, 1992.11.24 (Photo: Brooklyn Museum, 1992.11.24_SL1.jpg)
overall, 1992.11.24_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.