sheet: 22 1/2 x 30 in. (57.2 x 76.2 cm)
frame: 31 1/8 x 41 1/8 x 1 3/4 in. (79.1 x 104.5 x 4.4 cm) (show scale)
Signed in pencil
Gift of R.M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harriss, and Emma L. Hyde, by exchange, Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund
This item is not on view
Barbara Jones-Hogu (American, 1938-2017). Nation Time, ca. 1970. Color screenprint, sheet: 22 1/2 x 30 in. (57.2 x 76.2 cm). Brooklyn Museum, Gift of R.M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harriss, and Emma L. Hyde, by exchange, Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund, 2012.80.25. © artist or artist's estate (Photo: Brooklyn Museum, 2012.80.25_PS4.jpg)
From a small edition of unknown size
overall, 2012.80.25_PS4.jpg. Brooklyn Museum photograph, 2013
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
© Barbara Jones-Hogu
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Why is the light on these artworks so much darker than the light on other art in this gallery?
You're very perceptive. Works on paper, like these prints (watercolors would also fall into this category) are very sensitive to light and fade very easily. The light is kept low to help preserve the artworks. Works on paper cannot be exposed to light for long periods of time either. After this exhibition they will be returned to dark storage to "rest."
Okay. Thank you. I noticed the dresses are displayed nearby. Does fabric have the same light issues?
Textiles do share a lot of the same concerns. Temperature and humidity are also major considerations.