Wendy Red Star (Apsáalooke (Crow), born 1981). Peelatchiwaaxpáash / Medicine Crow (Raven), 2014. Inkjet print, each panel: 25 × 17 in. (63.5 × 43.2 cm). Brooklyn Museum, Gift of Loren G. Lipson, M.D., 2018.19.1b. © artist or artist's estate (Photo: Brooklyn Museum, 2018.19.1b_PS9.jpg)
Wendy Red Star (Apsáalooke (Crow), born 1981). Peelatchiwaaxpáash / Medicine Crow (Raven), 2014. Inkjet print, each panel: 25 × 17 in. (63.5 × 43.2 cm). Brooklyn Museum, Gift of Loren G. Lipson, M.D., 2018.19.1b. © artist or artist's estate (Photo: , CUR.2018.19.1b.jpg)
Peelatchiwaaxpáash / Medicine Crow (Raven)
Wendy Red Star
Elizabeth A. Sackler Center for Feminist Art
Wendy Red Star’s 1880 Crow Peace Delegation series features the artist’s notations about native heritage, history, and identity, handwritten on reproductions of Charles Milton Bell’s photographs of Crow leaders. The original photographs were taken during a historic meeting of the Crow delegation with the U.S. government in Washington, D.C., in 1880, to negotiate the expansion of the Northern Pacific Railroad through the Crow reservation. Shortly after, these photographs began to circulate as part of a stereotyped, commercialized, and flattened understanding of Native American leadership.
The artist’s notes elucidate the meaning of various costume elements, educating nonindigenous viewers while also commenting on white Americans’ ignorance of Native American culture. Red Star also includes information about each Chief: anecdotes of bravery, personal details, and a note about how Pretty Eagle’s body was kept for 72 years at the American Museum of Natural History, a potent institutional critique.
This series includes five additional portraits of these five leaders; for more information, visit www.wendyredstar.com.
The artist’s notes elucidate the meaning of various costume elements, educating nonindigenous viewers while also commenting on white Americans’ ignorance of Native American culture. Red Star also includes information about each Chief: anecdotes of bravery, personal details, and a note about how Pretty Eagle’s body was kept for 72 years at the American Museum of Natural History, a potent institutional critique.
This series includes five additional portraits of these five leaders; for more information, visit www.wendyredstar.com.
PORTFOLIO/SERIES
from the series "1880 Crow Peace Delegation"
MEDIUM
Inkjet print
DATES
2014
DIMENSIONS
each panel: 25 × 17 in. (63.5 × 43.2 cm) (show scale)
COLLECTIONS
Elizabeth A. Sackler Center for Feminist Art
MUSEUM LOCATION
This item is not on view
ACCESSION NUMBER
2018.19.1b
EDITION
Edition: 1/15
CREDIT LINE
Gift of Loren G. Lipson, M.D.
RIGHTS STATEMENT
© Wendy Red Star
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CAPTION
Wendy Red Star (Apsáalooke (Crow), born 1981). Peelatchiwaaxpáash / Medicine Crow (Raven), 2014. Inkjet print, each panel: 25 × 17 in. (63.5 × 43.2 cm). Brooklyn Museum, Gift of Loren G. Lipson, M.D., 2018.19.1b. © artist or artist's estate (Photo: Brooklyn Museum, 2018.19.1b_PS9.jpg)
IMAGE
overall, 2018.19.1b_PS9.jpg. Brooklyn Museum photograph, 2022
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