Indian. <em>Led by Songhur Balkhi and Lulu the Spy, the Ayyars Slit the Throats of Prison Guards and Free Sa'id Farrukh-Nizhad</em>, 1557-1572. Opaque watercolor and gold on cotton cloth, sheet: 30 7/8 x 24 1/2 in. (78.4 x 62.2 cm). Brooklyn Museum, Museum Collection Fund, 24.46 (Photo: Brooklyn Museum, 24.46_IMLS_SL2.jpg)

Indian. Led by Songhur Balkhi and Lulu the Spy, the Ayyars Slit the Throats of Prison Guards and Free Sa'id Farrukh-Nizhad, 1557-1572. Opaque watercolor and gold on cotton cloth, sheet: 30 7/8 x 24 1/2 in. (78.4 x 62.2 cm). Brooklyn Museum, Museum Collection Fund, 24.46 (Photo: Brooklyn Museum, 24.46_IMLS_SL2.jpg)

DOWNLOAD

Led by Songhur Balkhi and Lulu the Spy, the Ayyars Slit the Throats of Prison Guards and Free Sa'id Farrukh-Nizhad

Asian Art

The oversized manuscript known as the Hamza- Nama was commissioned by the Mughal emperor Akbar (reigned 1556–1605). All of its paintings are on cloth, with Persian text written on paper glued to the reverse. The pages were probably displayed in storytelling performances. The Hamza-Nama is an adventure tale about the first generations of Muslims. This painting is typical of the series, with multiple figures in active stances set within a sumptuously decorated courtyard. The subject is a night raid on a prison, with the heroes killing their captors in order to free their comrades.

CULTURE Indian

MEDIUM Opaque watercolor and gold on cotton cloth

Place Made: India

DATES 1557-1572

DYNASTY Mughal

DIMENSIONS sheet: 30 7/8 x 24 1/2 in. (78.4 x 62.2 cm) image: 26 15/16 x 20 1/2 in. (68.4 x 52.1 cm) (show scale)

COLLECTIONS Asian Art

ACCESSION NUMBER 24.46

CREDIT LINE Museum Collection Fund

EXHIBITIONS

MUSEUM LOCATION This item is not on view

CAPTION Indian. Led by Songhur Balkhi and Lulu the Spy, the Ayyars Slit the Throats of Prison Guards and Free Sa'id Farrukh-Nizhad, 1557-1572. Opaque watercolor and gold on cotton cloth, sheet: 30 7/8 x 24 1/2 in. (78.4 x 62.2 cm). Brooklyn Museum, Museum Collection Fund, 24.46 (Photo: Brooklyn Museum, 24.46_IMLS_SL2.jpg)

IMAGE overall, 24.46_IMLS_SL2.jpg. Brooklyn Museum photograph

"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.

RIGHTS STATEMENT No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

RECORD COMPLETENESS

Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.