Sand Dunes, Cape Cod
A watercolor specialist for virtually his entire career, the Boston artist Dodge MacKnight pushed the medium’s potential for high-key color and the summary description of form in transparent washes. Brilliant, airy landscapes like this one were highly prized by his primary audience in Boston—a public that by 1900 was exceptionally receptive to the progressive Impressionist aesthetic. In the eyes of his admirers, MacKnight was no less than an equal to the revered John Singer Sargent.
Transparent watercolor with touches of opaque watercolor over graphite on white, moderately thick, rough-textured wove paper
17 1/4 x 24 1/16 in. (43.8 x 61.1 cm) (show scale)
The paper's watermark: "IN ENGLAND / UNBLEACHED ARNO"
Signed lower right: "Dodge Macknight"
Frank Sherman Benson Fund and Frederick Loeser Fund
This item is not on view
Dodge MacKnight (American, 1860-1950). Sand Dunes, Cape Cod, before 1921. Transparent watercolor with touches of opaque watercolor over graphite on white, moderately thick, rough-textured wove paper, 17 1/4 x 24 1/16 in. (43.8 x 61.1 cm). Brooklyn Museum, Frank Sherman Benson Fund and Frederick Loeser Fund, 22.57 (Photo: Brooklyn Museum, 22.57_SL3.jpg)
overall, 22.57_SL3.jpg. Brooklyn Museum photograph, 2016
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.