Bow Stand (Nsakakabemba)
Arts of Africa
Wood, cloth, iron, vegetable cordage
late 19th or early 20th century
28 3/8 x 11 x 5 1/2in. (72.1 x 27.9 x 14cm) (show scale)
Museum Expedition 1922, Robert B. Woodward Memorial Fund
Wooden image, light wood, woman standing; three prong like projections at the top of head; hands held at the sides of breasts; cloth around lower part of figure; metal spike; typical Luba features; Umbilical rupture; diamond shaped design cut into prongs.
Condition: Cracked and chipped.
This item is not on view
Luba. Bow Stand (Nsakakabemba), late 19th or early 20th century. Wood, cloth, iron, vegetable cordage, 28 3/8 x 11 x 5 1/2in. (72.1 x 27.9 x 14cm). Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund, 22.1346. Creative Commons-BY (Photo: Brooklyn Museum, 22.1346_transp6268.jpg)
overall, 22.1346_transp6268.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.