Jar with Boat Designs
Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
Originally this pot was suspended with string through holes in the three handles. The three painted boats all include palm branches at the prow, what may be oars along the bottom, and two cabins on deck. Each cabin houses a female figure flanked by smaller males, possibly representing a goddess and her priests. The upraised arms and long skirt of the female figures resemble those on the slightly earlier terracotta statuette in a nearby case, but the heads look very different.
ca. 3450-3350 B.C.E.
Predynastic Period to middle Naqada II Period
6 7/8 x greatest diam. 8 1/4 in. (17.5 x 20.9 cm) (show scale)
Charles Edwin Wilbour Fund
Inverted pear-shaped jar of pale red pottery. Flattened base. Rather wide, somewhat oval mouth. Moulded lip sharply offset from high shoulder by neck-groove. Around shoulder, three string hole handles, cuneiform, horizontally perforated on the upper, broader and higher end. Decoration in reddish painting showing three boats (each between two handles). They are typical: curved, with two cabins a double branch at the bow. The standards, raised on the outer edge of the rear cabin, are different in each boat. On each boat a nude woman, frontally drawn, in geometric stylization, with arms raised above the head, hands (fingered) bent over to crown of head, stands on the inner edge of the roof of the central cabin. Two nude men or boys, drawn in classical-Egyptian profile, on either side of her, touch her shoulders. One, standing on the outer edge of the same cabin, is slightly larger than the other, standing on the inner edge of the rear cabin. On the second boat, the smaller one is replaced by a dotted line, the larger one, (paint now gone) perhaps also. Above the stern of the first boat a “sycamore tree,” above that of the third, three flamingos, above that of the second an oblique vertical band of short horizontal S-lines, perhaps representing rain. A similar line runs horizontally below the bow of each boat, and is used three times as a space filler above the third boat. The “air” of the first boat is empty; these designs obviously have some mythological or calendrical significance. On shoulder, from neck to top of handles, six circling “water lines”; on the handle between third and first boats a lattice of horizontal lines between two vertical ones; on the next handle, three vertical lines; on the last, median space now abraded. Lower third of body unpainted.Important document of prehistoric civilization.
Condition: Chip in lip. Lip abraded. Paint abraded in center of second boat picture.
Jar with Boat Designs, ca. 3450-3350 B.C.E. Clay, pigment, 6 7/8 x greatest diam. 8 1/4 in. (17.5 x 20.9 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 09.889.400. Creative Commons-BY (Photo: Brooklyn Museum, 09.889.400_SL1.jpg)
overall, 09.889.400_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.