Fragment of Blue Crown
Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
The late Eighteenth Dynasty taste for opulence extended to inlaid wall decoration in temples, palaces, and large houses.
During the reign of Akhenaten, skilled workmen began to create scenes by piecing together individual fragments of colored glass or faience. These works depicted the king, natural motifs, and faithful worshipers beneath the Aten sundisk. Many of these motifs had already appeared in paintings in earlier buildings, but the new medium added vividness and prominence. Architectural inlay continued into the Twentieth Dynasty.
ca. 1352-1336 B.C.E.
New Kingdom, Amarna Period
Gift of the Egypt Exploration Society
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Fragment of Blue Crown, ca. 1352-1336 B.C.E. Faience, 2 13/16 x 2 5/8 in. (7.2 x 6.7 cm). Brooklyn Museum, Gift of the Egypt Exploration Society, 37.409. Creative Commons-BY (Photo: Brooklyn Museum, CUR.37.40E_erg456.jpg)
. Brooklyn Museum photograph, 9/5/2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.