Egyptian, Classical, Ancient Near Eastern Art
On View: Old Kingdom to 18th Dynasty, Egyptian Galleries, 3rd Floor
Statuettes of naked women with incomplete legs, like this example, have been found in Middle Kingdom tombs and houses. Early Egyptologists mistakenly identified them as concubines intended to provide the spirits of men with an eternity of sexual pleasure.
Recent studies show that both men and women used these figures to ensure fertility. In the home, they were believed to enhance a wife’s fruitfulness and a husband’s potency by invoking Hathor, the goddess of sexual love. As tomb offerings, they guaranteed the deceased’s sexual power in the afterlife.
ca. 1938-1630 B.C.E.
Dynasty 12 to early Dynasty 13
Charles Edwin Wilbour Fund
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Fertility Figurine, ca. 1938-1630 B.C.E. Faience, 2 x 5 3/16 in. (5.1 x 13.1 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 44.226. Creative Commons-BY (Photo: Brooklyn Museum, 44.226_SL1.jpg)
overall, 44.226_SL1.jpg. Brooklyn Museum photograph
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Faience figurine of a dancing-girl. Turquoise blue glaze with details (hair, eyes, and eyebrows, ornaments) in purplish black. The figure is rather well-modeled, with slender waist and swelling thighs. The upper arms are free from the body, but hands and lower arms lie close to the thighs. The legs end (as is frequent in servant-figurines of the period) in rounded stumps at the knees. The girl wears a “Hathor” wig with spiral curls in front and straight, squared lock in back, and is nude save for a girdle of cowrie-shells and beads and bead necklaces, indicated by black markings. Black dots arranged in lozenges on legs probably indicate tattooing. The pubic triangle is emphasized by black dots.
Condition: Broken through the middle and repaired. Black spots worn in places. Brownish traces of (?) clay mould. Otherwise perfect.
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