Egyptian, Classical, Ancient Near Eastern Art
On View: Funerary Gallery 2, Martha A. and Robert S. Rubin Gallery, 3rd Floor
Living persons wore only one or a few amulets at a time, but mummies usually bear many amulets. The Ma’at amulet (no. 2) and heart scarabs (nos. 1, 3, 11), which occurred in many forms, guaranteed a successful judgment of the dead. The amulets of a hand (no. 8), lungs and a windpipe (no. 12), and wadjet-eyes (i.e., “healthy” eyes; no. 4) protected those parts of the body and also had connotations of resurrection and the unity or integrity of the mummy. The enigmatic aper amulet (no. 13) takes the form of the hieroglyph meaning “to be equipped,” perhaps in reference to the mummy’s preparation. The two crowns (nos. 5, 6) were symbols of power. The Heh insignia (no. 7), like the popular ankh-sign, denoted eternal life. Among the living, the frog (no. 9) and possibly also the hare (no. 10) suggested fertility. The amulets of the Four Sons of Horus (no. 15) perhaps served, as they did with canopic jars, to protect various organs of the body.
ca. 1390-1295 B.C.E.
late Dynasty 18
9/16 in. (1.5 cm)
Base: 9/16 x 11/16 in. (1.4 x 1.8 cm) (show scale)
Charles Edwin Wilbour Fund
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Frog Amulet, ca. 1390-1295 B.C.E. Glass, 9/16 in. (1.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 59.18. Creative Commons-BY (Photo: Brooklyn Museum, CUR.59.18_wwgA-3.jpg)
installation, West Wing gallery A-3 installation, CUR.59.18_wwgA-3.jpg
. Brooklyn Museum photograph, 2005
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Opaque dark blue glass amulet in the form of a seated frog, head erect, undercut, with front legs in the round. Inscribed oval base. Mat finish. Small pieces of light blue glass and a few minute specks of red glass mixed with the blue-apparently accidental inclusions. Pierced.
Condition: Intact. A molded piece which was then cut and polished.
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