Egyptian, Classical, Ancient Near Eastern Art
Ba is the Egyptian concept closest to what is meant by the English word "soul." Its composite human-and-bird form symbolizes its ability to travel to different realms. This extremely fine amulet may date to the Ptolemaic Period, but various types of gold amulets inlaid with colored stones are known from burials of Dynasties XXVI through XXX (orca 664–342 B.C.)
Gold, lapis lazuli, turquoise, steatite
1 1/4 x 2 11/16 x 3/8 in. (3.1 x 6.8 x 0.9 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Ba Amulet, 305-30 B.C.E. Gold, lapis lazuli, turquoise, steatite, 1 1/4 x 2 11/16 x 3/8 in. (3.1 x 6.8 x 0.9 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.804E. Creative Commons-BY (Photo: Brooklyn Museum, 37.804E.jpg)
overall, 37.804E.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Gold amulet with a cloissone inlay of lapis lazuli, turquoise, and steatite representing a soul in the form of a human-headed bird. Viewed from below the piece displays a human head and bird’s body modelled in the round in gold. This body is attached to outstretched wings made of a sheet of gold. Attached to each wing is an eyelet made of a strip of gold. The lower part of the underside of the tail has an inlay pattern representing five feathers (lapis-turquoise-steatite-turquoise-lapis). Seen from above the sheet of gold is inlayed to represent a feather pattern which is broken up into areas of dark and light blue (lapis and turquoise) with a brown curving strip across the shoulder.
Condition: One end of one of the eyelets loose; one steatite inlay missing.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.