The Birth of Our Lord Jesus Christ (La nativité de Notre-Seigneur Jésus-Christ)
Paying his usual rigorous attention to researching the settings for his interpretation of the narrative, Tissot places the episode of Jesus’ birth in one of the caves in the mountains in and around Bethlehem, a departure from visual tradition, which often locates the Nativity in a stable. Unable to find rooms in the town, Mary and Joseph take shelter here. In his commentary, Tissot explains the presence of animals who gaze upon the newborn Jesus by noting that shepherds often used these caves on cold evenings.
Although Tissot spurned the art-historical convention of the halo in his depictions of the Holy Family and the apostles, he endows the infant Christ with a glow that illuminates the face of his adoring mother, who clasps her hands in prayerful reverence.
Opaque watercolor over graphite on gray wove paper
Image: 5 5/8 x 6 3/4 in. (14.3 x 17.1 cm)
Sheet: 5 5/8 x 6 3/4 in. (14.3 x 17.1 cm)
Frame: 15 x 20 x 1 1/2 in. (38.1 x 50.8 x 3.8 cm) (show scale)
Signed bottom right: "J.J. Tissot"
Purchased by public subscription
1900, purchased from the artist by the Brooklyn Museum.
This item is not on view
James Tissot (Nantes, France, 1836–1902, Chenecey-Buillon, France). The Birth of Our Lord Jesus Christ (La nativité de Notre-Seigneur Jésus-Christ), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 5 5/8 x 6 3/4 in. (14.3 x 17.1 cm). Brooklyn Museum, Purchased by public subscription, 00.159.24 (Photo: Brooklyn Museum, 00.159.24_PS1.jpg)
overall, 00.159.24_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.