Figural realism was the dominant mode in American painting throughout the 1930s, when many artists strove to respond directly to the urgent, and often dire, social issues of the day. The Woodstock colony artist Alexander Brook was something of an exception in his preference for “studio pictures” of the sort that had been more current in the twenties, and in which a model’s physical presence was the primary subject. In Bacchante, the placement of the model’s hand enhances the masklike quality of the face and creates an arresting mood.
Oil on canvas
frame: 36 1/2 x 26 3/4 in. (92.7 x 67.9 cm) (show scale)
This item is not on view
John B. Woodward Memorial Fund
© artist or artist's estate
Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Alexander Brook (American, 1898-1980). Bacchante, 1934. Oil on canvas, frame: 36 1/2 x 26 3/4 in. (92.7 x 67.9 cm). Brooklyn Museum, John B. Woodward Memorial Fund, 36.867. © artist or artist's estate (Photo: Brooklyn Museum, 36.867_SL3.jpg)
overall, 36.867_SL3.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.