Madonna of Humility
According to medieval theology, humility was the source of all virtues, an appropriate metaphor for Mary as the Mother of God. In Lorenzo Monaco’s devotional painting Mary is depicted as the Madonna of Humility, seated not on a throne but on a cushion resting on a marble pavement. Pictures like this were in high demand in Florence, and Monaco made several similar versions of this composition, likely for private patrons.
Tempera and tooled gold on panel with engaged frame
33 1/4 x 18 7/8 in. (84.5 x 47.9 cm)
Frame: 45 3/4 x 26 3/4 x 5 3/4 in. (116.2 x 67.9 x 14.6 cm) (show scale)
On base of frame: "AVE MARIA GRATIA PLENA D." [Hail Mary Full of Grace]
Gift of Mary Babbott Ladd, Lydia Babbott Stokes, and Frank L. Babbott, Jr. in memory of their father Frank L. Babbott
This item is not on view
Lorenzo Monaco (Italian, School of Florence, ca. 1370/71-1424). Madonna of Humility, ca. 1415-1420. Tempera and tooled gold on panel with engaged frame, 33 1/4 x 18 7/8 in. (84.5 x 47.9 cm). Brooklyn Museum, Gift of Mary Babbott Ladd, Lydia Babbott Stokes, and Frank L. Babbott, Jr. in memory of their father Frank L. Babbott, 34.842 (Photo: Brooklyn Museum, 34.842_SL3.jpg)
framed, 34.842_SL3.jpg. Brooklyn Museum photograph
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