Here Comes the Bogey-Man (Que viene el Coco)
Francisco de Goya y Lucientes
The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museum’s rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery.
The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monsters. This idea reappears later in the exhibition in Robert Longo’s work.
Etching and aquatint on laid paper
Sheet: 11 15/16 x 7 15/16 in. (30.3 x 20.2 cm)
Other (Plate): 8 5/8 x 6 1/16 in. (21.9 x 15.4 cm)
Image: 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm) (show scale)
Verso stamped upper left: "BROOKLYN MUSEUM/BROOKLYN, N.Y." in rectangle (Lugt 307b)
Upper right in plate: "P. 3"; lower center in plate: "Que biene el Coco."
Verso upper left in graphite: "37.33-3"
This item is not on view
A. Augustus Healy Fund, Frank L. Babbott Fund, and Carll H. de Silver Fund
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Francisco de Goya y Lucientes (Spanish, 1746-1828). Here Comes the Bogey-Man (Que viene el Coco), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 15/16 x 7 15/16 in. (30.3 x 20.2 cm). Brooklyn Museum, A. Augustus Healy Fund, Frank L. Babbott Fund, and Carll H. de Silver Fund, 37.33.3 (Photo: , 37.33.3_PS9.jpg)
overall, 37.33.3_PS9.jpg., 2017
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Trial proof before the correction of "biene" to "viene."
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