Man Carrying a Cacao Pod
Arts of the Americas
On View: American Art Galleries, 5th Floor, The Americas’ First Peoples, 4000 B.C.E.–1521 C.E.
The importance of maize (corn) and chocolate, two of the many plants native to the Americas, is exemplified by these Aztec sculptures.
The relief panel of the maize goddess Chicomecóatl may have been set into an altar. Chicomecóatl controlled the positive and negative powers of growth and famine. Her elaborate headdress is topped by two ears of corn. In her right hand, she holds a snake-shaped rattle staff, used to penetrate and fertilize the soil.
The man carrying a cacao pod may represent one of the merchants who brought cacao beans from the tropical coastal lowlands to the Valley of Mexico. Chocolate, made from the beans of the cacao pod, was a popular drink in Aztec society.
Volcanic stone, traces of red pigment
14 1/4 x 7 x 7 1/2in. (36.2 x 17.8 x 19.1cm) (show scale)
Museum Collection Fund
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Aztec. Man Carrying a Cacao Pod, 1440-1521. Volcanic stone, traces of red pigment, 14 1/4 x 7 x 7 1/2in. (36.2 x 17.8 x 19.1cm). Brooklyn Museum, Museum Collection Fund, 40.16. Creative Commons-BY (Photo: Brooklyn Museum, 40.16_front_PS9.jpg)
front, 40.16_front_PS9.jpg. Brooklyn Museum photograph, 2013
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Figure of a man carrying a cacao pod. Left hand holds stem attached to top of pod; right hand rests on middle of pod. Eyes and mouth are open. Traces of red pigment are visible around mouth, ear and central ornament on figure's headdress. Figure wearing traditional loincloth (maxtlatl). Right arm is cracked and repaired; feet are broken off; small section of stone on finger near knuckle of right hand is missing; some surface chipping overall.
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