Face Neck Jar
Arts of the Americas
Ceramic, slip, pigments
Middle Horizon Period
7 x 4 1/2 x 4 1/2 in. (17.8 x 11.4 x 11.4 cm) (show scale)
This item is not on view
Henry L. Batterman Fund
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Wari. Face Neck Jar, 650-1000 C.E. Ceramic, slip, pigments, 7 x 4 1/2 x 4 1/2 in. (17.8 x 11.4 x 11.4 cm). Brooklyn Museum, Henry L. Batterman Fund, 41.418. Creative Commons-BY (Photo: Brooklyn Museum, 41.418_front_PS6.jpg)
front, 41.418_front_PS6.jpg. Brooklyn Museum photograph, 2012
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Face neck jar with polychrome decoration on red-brown slip. The vessel is bottle-shaped with a bulbous body and a tall, narrow neck. The neck is decorated with a modeled human face with a feline figure painted on the nose and two condors painted below the eyes representing tear lines. The body of the jar is decorated with a standing male figure wearing an elaborate tunic and holding a staff in each hand. One staff is surmounted by a bird head, while the other is surmounted by an ear of corn. The man's face, which is in profile, is decorated with painted geometrical designs and an ear of corn hangs from the front of his headdress.
Text by GdeH 9/2011:
In the Andes, maize did not have as pronounced a ritual significance. The main function has been its transformation into chica, a ceremonial drink of significant alcoholic content still produced and used for ritual events and feasts. During pre-Columbian times, corn, along with cotton, was the basis of trade between the coastal lowlands and the high altitude areas of Peru which provided potatoes and wool. This face neck jar has been made by a highland civilization, the Wari, who were active around present day Arequipa, but its imagery includes corn, a coastal element. The figure on this jar is a man of high status as indicated by the designs on his tunic. An ear of corn dangles from his headdress, and another adorns the tip of one of his staffs. Images of condors and felines that can be seen on his face are typically associated with power, and from these clues, it is possible to say that this figure’s imagery relating to corn is evidence of its importance to the Wari people.
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