Arts of the Americas
Hide, beads, Stroud cloth, quills, cotton fringe, silk ribbon, deer hair, glass beads, brass
early 19th century
Henry L. Batterman Fund and the Frank Sherman Benson Fund
Saddle constructed as a heavy pad, enclosed within a durable covering of smoked skins. The skins were cut in an hourglass shape and then sewn together with sinew. The pad itself is stuffed with deer of buffalo hair or, possibly grass as a cushion.
A large rectangular piece of Stroud cloth, now brown, has been attached across the center of the saddle. It is finished with two lobe-like shapes and edged with white beads. The seams of the pad are edged with multi-colored quillwork in yellow, light blue, lavender, orange, brown, black and white. Black cotton fringe has been attached to the two narrow ends of the saddle. On each of the longer sides are four elongated cloth tabs, red at the center, tan at the edges and beaded with small geometric forms and lines in white, blue and orange. The tabs are trimmed at the bottom with deer hair tufts and interspersed with a fringe of large black, blue and amber glass beads. A cloth rosette decorates each of the four corners of the pad, containing four interconnected lobes that are fashioned in red, blue and black silk and Stroud cloth and ornamented with beads. Below each rosette are appliquéd lozenge forms or pointed ovals, containing two small triangles placed back to back, also edged with white beads.
The remnants of what might be stirrup leathers are concealed under the cloth. They are covered by a lighter, softer skin (deer?). The strap remnants seem to be recycled from some other object - - one side has a green, black and red painted design. Some native repair is evident. See Jarvis supplemental file Arts of Americas office.
This item is not on view
Red River Metis. Pad Saddle, early 19th century. Hide, beads, Stroud cloth, quills, cotton fringe, silk ribbon, deer hair, glass beads, brass, 26 x 18 1/2 in. (66 x 47 cm). Brooklyn Museum, Henry L. Batterman Fund and the Frank Sherman Benson Fund, 50.67.14. Creative Commons-BY (Photo: Brooklyn Museum, CUR.50.67.14_view1.jpg)
. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.