Raphael Soyer had a lifelong interest in the daily lives of working-class New Yorkers. His paintings of lone women in the early 1940s suggest the absence of husbands or sweethearts who had been called up to serve in World War II.
Soyer liked to depict the blank expressions of people lost in thought, leaving the meaning of the scene open to the viewer’s own interpretation. Throughout his career, his subjects conveyed a sense of weariness and disquiet—a mood related to the social isolation of modern urban life.
Oil on canvas
24 x 20in. (61 x 50.8cm)
Frame: 30 1/2 x 26 1/2 x 2 1/4 in. (77.5 x 67.3 x 5.7 cm) (show scale)
Lower right: Raphael Soyer
on frame, in ink: This painting/ I bought from Raphael / Soyer in 1945 - / Julius Zirinsky / Nov. 30th, 1945
Gift of James N. Rosenberg
This item is not on view
Raphael Soyer (American, born Russia, 1899-1987). Cafe Scene, ca. 1940. Oil on canvas, 24 x 20in. (61 x 50.8cm). Brooklyn Museum, Gift of James N. Rosenberg, 46.15. © artist or artist's estate (Photo: Brooklyn Museum, 46.15_SL1.jpg)
overall, 46.15_SL1.jpg. Brooklyn Museum photograph
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© Estate of Raphael Soyer
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Did Raphael Soyer and Edward Hopper influence each other?
I'd say so: Soyer and Hopper were great friends! Soyer even used Hopper as a subject and model for a few of his paintings. Great eye!
The two painters certainly shared an eye for the somewhat quiet bleakness of modern life and negative moody space!