On View: Decorative Art, 20th-Century Decorative Arts, 4th Floor
From the 1860s through the 1910s, proponents of the Arts and Crafts movement in both Britain and the United States opposed industrialization and its dehumanizing effects. Instead, they championed honest use of materials, reduction of applied ornament, and interiors with soft, muted colors. One of its earliest British promoters was William Morris, an ardent socialist and designer of the window hanging on view here, who advocated a philosophy of reform that sought to reconnect objects and makers and recast the designer as craftsman.
Through publications and lectures the movement quickly spread to the United States, where it gained popularity as much for its aesthetics as its social ideals. In Massachusetts, the Grueby Faience Company created matte green glazes for its naturalistic art pottery, while the Pairpoint Manufacturing Company produced Arts and Crafts–inspired designs in silver. In upstate New York, Gustav Stickley became a leading proponent of American Arts and Crafts through his influential publication, The Craftsman; his widely distributed, industrially produced furniture equally embodied his mantra of simplicity and honesty of materials and construction. In Southern California, the architecture and design firm of Greene and Greene created fully integrated architecture and interiors filled with luxurious furnishings that accented mahogany chairs with ebony construction details. More idiosyncratic was George Ohr. The self-proclaimed “Mad Potter of Biloxi,” Mississippi, Ohr created eccentric, technically outstanding ceramics using clay dug from the nearby Tchoutacabouffa River.
Walnut, inlaid copper and pewter
49 x 54 1/2 x 12 in. (124.5 x 138.4 x 30.5 cm) (show scale)
Gift of The Roebling Society
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Gustav Stickley (1857-1942). Desk, ca.1904. Walnut, inlaid copper and pewter, 49 x 54 1/2 x 12 in. (124.5 x 138.4 x 30.5 cm). Brooklyn Museum, Gift of The Roebling Society, 68.183.1. Creative Commons-BY (Photo: Brooklyn Museum, 68.183.1_bw.jpg)
overall, 68.183.1_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.