Egyptian, Classical, Ancient Near Eastern Art
The Achaemenid rulers of ancient Persia favored images of lions with their mouths open in a snarl or roar. On these gold jewelry
elements, the lions are shown complete or as heads only, in both fairly realistic and highly decorative forms. The gold head of a bull, another dangerous animal, seems almost placid in comparison. The pin decorated with an ibex, or wild mountain goat, was used to fasten garments.
6th-5th century B.C.E.
Persian Achaemenid Period
11/16 x 7/8 x 1/4 in. (1.8 x 2.2 x 0.7 cm) (show scale)
Gift of Mr. and Mrs. Alastair Bradley Martin
Gold bracteate. A snarling lion head in profile.
This item is not on view
Persian. Bracteate, 6th-5th century B.C.E. Gold, 11/16 x 7/8 x 1/4 in. (1.8 x 2.2 x 0.7 cm). Brooklyn Museum, Gift of Mr. and Mrs. Alastair Bradley Martin, 70.142.6. Creative Commons-BY (Photo: , 70.142.6-.11_PS2.jpg)
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.